
Klaus Schulze - Style In Pornography
The motto of Italian film maker, Lasse Braun was “Style in Pornography”. Renowned as the King Of Modern Pornography during the ‘60s, his simple, well-lit erotic style on Possessions, Sensation and Desire eventually led him to one of his last movies in 1977, Body Love, which ran with the one liner: ‘Lovely to look at, outrageous to touch’.

Klaus Schulze - Style In Pornography
The motto of Italian film maker, Lasse Braun was “Style in Pornography”. Renowned as the King Of Modern Pornography during the ‘60s, his simple, well-lit erotic style on Possessions, Sensation and Desire eventually led him to one of his last movies in 1977, Body Love, which ran with the one liner: ‘Lovely to look at, outrageous to touch’. A film whose cast includes slaves and voyeurs, Braun took it to new audiences by recruiting the former Tangerine Dream member Klaus Schulze to record the soundtrack for the exotic dances of the lead character Gilda. It was Schulze’s debut celluloid excursion and it allowed him the freedom to develop the dreamy space rock electronica that he’d honed over six studio albums during the early ‘70s, into something more wide ranging and evocative. Following the album’s huge success, a second album of music from the movie was also released, but the original Body Love remains a unique document of Schulze’s musical development and a landmark of electronic music that has survived way beyond the movie itself. Braun was soon to retire from the industry afterwards and would deliver a doctorate entitled Judiciary Censorship In The Western World. The paper caused outrage and was duly censored in an ironic twist that proved that the pen is more dangerous than a full frontal display accompanied by spacey synth overtures.


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